Sunday, November 13, 2011

Cute 'n Fluffy


Well, she is cute and fluffy.  The critter above is a Screffling, a representative of one of the major branches on my fictive tree of life.  Sometime in future (perhaps after a series of independent, one-beastie-at-a-time posts, perhaps in one massive infodump) I'll include the whole overarching phylogeny of my various imaginary beasties, but for now I'm not going to attempt something quite so grandiose.  Better, I think, to start simply.

So!  Screfflings.  Screfflings occupy roughly the same position, ecologically speaking, on Gavanna that mammals in general did on Earth during the Mesozoic, or that rodents do today; they aren't rare, exactly, and they do pretty well for themselves, but they aren't about to win any prizes for the largest/fastest/most colorful/most dangerous/highest flying/etc. critter around.  Like many Gayenni* beasties, screfflings are capable of adjusting their metabolism between endothermy and ectothermy as conditions demand, and the layer of insulating fur-feathers covering their bodies helps them maintain their body temperature when they're in an endothermic state.  Said fur-feathers (the in-world name for them being "screff," hence the name "screffling") are made up of many tiny fibrils, all intertwined and matted together into a hollow, insulating shell.  The quick diagram below shows a pretty typical example of a screff.

The darkened patch towards the lower left is where the screff would be rooted into the skin, while the cutaway at the upper right shows the (not terribly interesting) cavity inside.  Some species of screfflings have taken this basic form and run wild with it, producing rigid armored plating, loosely connected tufts of fibrils, delicately arcing pennants, and in a few cases even barbed, irritatant tufts that can be dislodged to deter attackers--but the simplest form of screff is by far the most common, and has persisted more or less unchanged for as long as screfflings themselves have existed.

Well.  Not much to elevate, instruct, or amuse in the above, I'm afraid--for it to be interesting, I realize one needs to already have some sort of investment in my world, and as it is I suspect this is only particularly enthralling for me.  I'll try to have something a bit less abstruse and more interesting next time 'round.


*Of or relating to Gavanna, with Gavanna being the name of my world.  I did mention that in the first post, I believe, but Hey, no harm in offering a little clarification.

Tuesday, November 8, 2011

Planetfall

Worldbuilding, or the art of creating a cohesive, internally consistent fictional world, is something that every science fiction or fantasy writer (and for that matter, many writers of literary fiction) must do in order to create the scaffolding upon which they build their stories.  Most such writers only build their worlds just as far as is necessary to tell their tales, and no further--as is right and proper, of course, if the main goal is to tell a story.  For some folks, though, the story is not enough, and they become engrossed in the world itself, weaving it out into strange complexities that sprawl far beyond what would ever be useful for a story.  Eventually, the fictive world itself becomes the primary "work" of the worldbuilder, and any stories, paintings, languages, sculptures, songs, etc. that may be associated with it become not individual works of art, but threads in the overarching tapestry that is the world.

For most of my life, I've been imagining, refining, and adjusting a fictional world (universe, really) of my own, with most of my energy devoted to threshing out the details of a single planet which I currently call Gavanna.  I've written a vast number of short stories set on this world, covered reams of paper with doodles of the various critters, plants, characters, and landmarks that exist on it, and have even worked out a few details of a script, counting system, and language (the last being very crude; I'm no linguist) for the creatures that inhabit my world.  I figure it might be productive for me to throw such imaginings up here, and while I can't promise any regularity in my posts (heck, I can't promise that this won't be both my first and last post), I shall try to keep this alive, and will be sure to post plenty of purty pictures so that my reader(s) aren't subjected to nothing but walls of text.  Sound good?  Excellent.  Onward!


...Wait, dagnabbit.  Not quite onward just yet.  I forgot one detail, and a rather important one.  The title of this blog is a reference to one of my characters, an extremely metafictional character named Dejerara who functions, in my world, as a sort of legendary--well, not a deity, that's not an appropriate descriptor (and she would never stand for being worshipped), but a--patron, I suppose, is a good term.  A mythical patron of stories.  Her story, in my world's chronology, is the oldest and most important story that's told, and the first story ever told to any young beastie going out into the world.  All other stories are told because her story exists, and her story dictates the nature of all other stories.  We'll get to her later, I think; I imagine that most folks reading this will already be well familiar with my world already, so as I plow ahead my modus operandi will probably be to simply post updates as they come along, with little attention paid to getting any newcomers caught up--simply because I don't really anticipate any newcomers.  If that changes in future (and heigh-ho to the comments to pronounce your newcomer status, if'n you aren't already familiar with Gavanna!), then I'll likely add a set of primer pages on the astronomy, biology, history, paleohistory, and civilizations of my world.

Alright, that's better.  Got things cleared up, mild incoherence notwithstanding.  Now, onward!